As the Philippines prepares for one of its most vibrant and spiritually significant festivals, a voice from Lapu-Lapu City has captured the fervent devotion of millions. Mar Manus, Jr., a resident of 5168 Basak-Iba, Lapu-Lapu City, has composed a powerful and heartfelt poem dedicated to the upcoming Sinulog 2026 celebrations, invoking the Holy Child for blessings and protection.
A Call for Collective Faith and Celebration
The poem, published on January 15, 2026, serves as a passionate invitation to the faithful. Manus calls on the people, or "katawhan," to gather in unity at the Basilica del Sto. Niño in Cebu for the Sinulog festival. He emphasizes that the crowds, or "huot," within the church should not be a concern, as the primary mission is to venerate the image of the Santo Niño, the Holy Child.
The core message is one of unwavering prayer and solidarity. The poet urges everyone to pray with all their hearts—"Kinasingkasing nga mangamuyo"—and to unite in seeking divine grace for their families. A poignant plea is made for the aversion of future calamities, expressing a collective hope to be spared from further hardships.
The Rituals of Devotion and the Famous Cry
Manus's verse beautifully outlines the physical acts of devotion central to the Sinulog experience. He describes the faithful moving their feet in the traditional dance, the "indahay," hoping this offering will bring them ease and comfort. The poem mentions the symbolic acts of moving one's lips in prayer and then lighting candles as a communal offering.
The piece crescendos with the iconic festival shout, "Pit Señor! Pit Señor Sto. Niño!" This cry is followed by specific petitions for the healing of the sick and a lyrical reference to the "magnet of love"—"Bato balani sa gugma!" The poem concludes with a humble request for forgiveness for all sins, encapsulating the festival's spirit of repentance, gratitude, and joyous worship.
A Personal Contribution to a Grand Tradition
This devotional poem by Mar Manus, Jr. is more than just verse; it is a personal testament to the deep cultural and religious roots of the Sinulog. Originating from Lapu-Lapu City in Metro Cebu, it highlights how the festival inspires individual creativity and public expression of faith. As January 2026 approaches, such contributions fuel the anticipatory energy and reinforce Sinulog's role as a cornerstone of Visayan and Filipino identity, drawing millions in a spectacular display of faith and culture.
